Dearly Beloved

For our sins, Stephen builds a chapel.

At MHWC’s Broadside show in June I was glad (and surprised!) to see that Scotia/Grendel would be there.

What I bought off them was a resin ruined chapel, which would make a great piece of terrain for medieval games.

I cleaned up the pieces, cut some ply for the base, and glued the pieces together on the day after buying it. It then sat on the shelf for a few weeks. But last Sunday I finally got around to slapping some paint on it.

Before painting I thought I’d make a bit more of it. The first thing to do was create a tiled floor. I made the tiles out of thick plasticard. I chamfered the edges roughly and then scratched and gouged the surface to make them look worn and damaged. I then needed some more rubble. I made this from a mixture of sand and dried plaster broken up into bits. Though you can buy some rubble scatter mixes.

Once this was all dry I gave it a spray of dark khaki. This was then washed with my favourite all-purpose brown wash: GW’s Agrax Earhshade. I decided I wanted it to look like it was made from sandstone, so it was drybrushed with a khaki-heavy mix of khaki and grey.

An important thing to realise about medieval churches is that they were very colourful places. It was only with the advent of the Reformation and Protestantism that church wall paintings were considered idolatrous and were chiseled off or painted over. So I scoured the internet for pictures of surviving painted medieval church walls and then printed them off.

These were then glued to the walls. To make them look like they belong there and look a bit damaged and eroded by time and weather I splotched (that’s the best way I can describe it) the edges of the pictures to make it look like they belong on the walls and blend in.

Some staining and damp was added with a very dry brush using dark green and brown.

The model was then based with some mixed ballast and static grass.

The result is a ruined chapel worth fighting over!

From The Halls Of Montezuma

Stephen goes all John Wayne on us.

I’ve toyed with the idea of doing some WW2 games for a while but never really knew what I wanted to do. I had a false start with Flames Of War some time ago but I found the rules so dire that it soon fell by the wayside.

But then a recent issue of Wargames Illustrated had some plastic 28mm US infantry as a freebie. I bought an issue, put them together and then slapped some paint on them. I enjoyed it so much that I decided that 28mm WW2 was the way I was going to go. I also decided that I would focus on small-scale infantry actions rather than huge set-piece battles – Chain Of Command has been played at the club and it seemed like the scale of game I was interested in.

I then bought another copy of WI so I could get some more. Realising this could be an expensive way to go about it I then asked if anyone at the club had an unwanted sprue from the magazine. Phil and Marcus both stepped up (cheers, chaps).

When it came to painting them I made a snap decision.

I was going to paint them in standard European theatre colours and do late war games. Then I thought about the scenery. Woods, roads, hills, etc would be no problem – I have plenty already. It was the houses though, that made me pause. I wanted to do this on the cheap because WW2 would never be a ‘main’ period for me, so it had to pay its way in terms of money and storage space. Piles of European houses, that would not be used for anything else I do, would take a lot of space and money.

So I suddenly thought, ‘Pacific war!’

Trees, trees, and more trees.

I know there’ll be some out there who will object and say the figures aren’t wearing Marine issue equipment. Quite frankly, I couldn’t give a monkey’s. Once painted, especially in that duck-hunter camouflage the Marines wore, I reckoned no one would be able to tell.

So I went for it.

They were given an all-over spray of khaki. Flesh and weapons were given a base-coat of a chocolate brown colour. I then washed all webbing and weapons with GW’s agrax earthshade. I use VMJ medium flesh for…er…flesh. The wooden bits on the guns were picked out with GW’s Bestial Brown (or whatever they now call it). The webbing was given a base-coat made from a mix of khaki and mid green, and a bit of white was added for highlights.

For the uniforms I decided to mix it up a bit to create a rag-tag look. Some would be in green, some in duck-hunter, some in a mix of the two. For the green just choose your favourite olive drab colour. For the camouflage the base colour was a 50/50 mix of khaki and white. And then blobs of chocolate brown and mid-green were randomly dotted all over.

The sprues themselves give a good mix of poses. I managed to get a good variety, even better with a slight bit of chopping up. I’ve given each squad a sergeant (armed with a Thompson), two BARs, and nine M1-armed infantry.

I also scratch-built a flamethrower using bits from the sprue.

The motivation is still there so I’m making head-way in painting these whilst I can. I will need a few more to complete a platoon. And I will also have to get some Japanese. So an order to Warlord will be made later in the year.

By the time it’s all done and ready it will likely be 2020, so for next year some WW2 games will be in the offing.

The Second Battle of Linton

Chairman John puts some flesh on the bones of his Open Day game.

After the Royalist forces of King Charles won a great victory at the 1st Battle of Linton under the command of Lord John, the Parliamentarians are looking to recover lost ground by forcing a 2nd battle on the hallowed Linton ground. Putting their faith in a new commander, Earl Campbell, they boldly advance into battle hoping for a decisive victory.

Intruder Alert!


In November 1980 a now forgotten conflict started. Now you can re-fight that conflict at the Open Day. Jeremey will be taking on all comers, with this hard uncompromising game. Many show games are made in favour of the player, not this one. Expect to face humiliation as you try and get a high score against the relentless robots or Evil Otto himself. Can you clock up the highest score to be crowned Berserk champion?

Open Day 2019: The Tower Of Ballicroney

More Open Day updates from Stephen as he wows us with the size of his tower

I’ve been lucky for this year’s Open Day – I more or less had everything I needed for the game.

There’s been just a few jobs that needed doing – some Norse Gael axemen and an Irish round tower.

The game will be set in the early 12th century with the Normans raiding an Irish religious community. A key feature of early Irish monastic sites were the needle like round towers. These were built as safe places during earlier centuries when Viking raiders made their way around the Irish Sea. A few were also built in Scotland, mainly by the Irish settlers.

Entrance to the tower was on the second floor via a ladder. The ground floor was often solid stone to resist being battered down.

I made a few concessions with my model. It is to scale height and the ground diameter is also to scale. The actual towers converge which mine doesn’t. This is because of what I used to make the tower – three empty (Christmas) tubs of cheeselets. So it had to have parallel sides.

I also decided to use more elaborate windows. During the period when the towers were constructed the windows were just plain openings. I went with a Gothic window frame, which is out of period. I did this to make it more interesting to look at, so it can be used for other periods, and maybe fantasy games as well. I also went with a tiled roof rather than a stone roof. This was done to create a different surface texture and colour again, to keep the model interesting.

The windows were spare castings I had from a previous project.

The tubs were glued together using internal tabs. I then chose to hide the external joint using pieces of card to look like bricks – it makes it look like a decorative feature.

Individual bricks were made using heavy duty water-colour paper. This is ideal because it has a textured surface. These were stuck in groups and clumps all over the outside.

The tiles on the roof were made using the same card.

The ladder is made from styrene sprue.

The entire model was given a spray with a dark khaki colour. This was then washed using GW’s Agrax Earthshade. It was then dry-brushed using a mix of khaki and light grey, with a bit of white added for subsequent highlights. To create damp patches and mould I used both a brown and a dark green, paying attention to windows and doors (where people are likely to throw things out of) or around the base, where the damp could be.

All that was left to do was decorate the base with odds and ends.

Beyond the Pale

Alan K briefs us on another Open Day offering.

Ireland 1596

Another English garrison is under attack from the Irish rebels. Your column has been sent to relieve the garrison and with your modern weapons, drilling and artillery they should be no match for you. But the Irish are wily and you don’t want to suffer the same fate as your forces at the Ford of the Biscuits or Clontibret. Can you get the column through?

Beyond the Pale is a recreation of a typical encounter in the Nine Years’ War in Ireland (also known as Tyrone’s Rebellion) which saw an Irish alliance under Hugh O’Neill of Tyrone and Hugh Roe O’Donnell of Tyrconnell resisting the Tudor conquest of Ireland between 1593 and 1603.

The English forces suffered an embarrassing mauling at the Battle of the Ford of the Biscuits in Country Fermanagh in 1594 and defeats at the Battles of Clontibret in 1595 and at the Yellow Ford in 1598 when English relief columns were harassed by Irish forces and finally engaged.

The game will use the Irregular Wars: Wargaming at the World’s End rules and 28mm figures from the old Vendel Miniatures (now available again from d’Arlo Figurines), Monolith Graven Images (also available again this time from Hoka Hey Wargaming) and Pendraken ranges.

This Means War

Stephen answers the challenge of Andy and Jeremey … the one could run and run!

The war banners are flying and the trumpets call a clarion to arms!

Owain of Bangor, famed warrior of the Welsh hills, declares war on the English.

Friends and allies are requested to take the fight to Andraes Willhelmson and Erik Uhtredson.

These knaves are nothing but thieves and robbers and deserve the fury of the Lord.

All those who would oppose such skullduggery should make themselves known at the cathedral of Bangor.

GASCAR ’19 Tri-Series Event 1

John Lambert fills us in on the happenings at the first Gaslands race event

This season of televised Gaslands events started off with a bang – literally!!

All racers took part in one huge Death Race to open the season so with six teams of two cars each, CARNAGE! was assured. For this season, there were two teams sponsored by Miyazaki, two sponsored by Idris and single teams sponsored by Rutherford and Warden respectively.

With a packed grid, a good clean start was essential, two Idris sponsored cars made a good start whilst the second two were blocked in at the back of the grid it would take time for them to break free.

As cars tried to break free, multiple smashes had the crowds baying for more, TV screens are fitted with an audience votes app and the system froze out as the drivers scrambled for glory.

Amid the mayhem Ghost of the South cleared the pack and then pulled off a stunning manoeuvre at Gate 1

This lead wouldn’t last for long as one of the Warden cars caught him and He was destroyed in a hail of lead by one of the prison cars.

These Idris cars were to prove to be fast but vulnerable. Between gate 1 and 2, the action was about to get hotter as the Rocketman was hit by gunfire from one of Miyazaki cars. None of the rockets had been fired so an explosion destroyed Rocketman and a fireball engulfed an Idris car and a Miyazaki buggy. This is what the crowd had come to see.

Meanwhile three cars were battling it out for the lead. A skilfully executed powerslide allowed Black Stalin (12) to thread through the obstacles on the approach to the finishing line.

With ‘This is my moment’ blasting through the speakers, Black Stalin was cruelly shot up by Chain Reaction.

As Chain Reaction and Constance Sin traded blows, AC1 was able to take advantage and slip past them to win and take first place on the podium.

In this post – apocalyptic world, there’s no Champagne just an inland sea filled with Diet Coke.

Podium places 1st Dave, 2nd Bob, 3rd Andy.

After the success of this event Gascar19 Event 2 will feature not one but two venues!!

The Flying Musketeers

Tony F goes aerial with his planned Open Day game.

Operation Musketeer was the codename given to the joint British and French plan to occupy the Suez Canal zone in 1956. The conflict also involved Israel which invaded the Sinai peninsula, forming part of the second Arab-Israeli war.

MiG-17s overfly a coastal town.

My game looks at the conflict in the air. It was one of the last air wars to be fought entirely with guns, before the advent of the missile age. It also involved a wide range of aircraft, from WW2-era prop planes such as the Mustang and Mosquito used by the IAF, to the latest jet fighters. Egyptian pilots flew the MiG-15 and MiG-17, the RAF deployed Hunters, Venoms and Vampires, and even deployed the first of the nuclear capable V-Bombers,the Valiant, along with the smaller Canberra, from bases in Cyprus and Malta. Not a great deal of air-to-air combat occurred during the conflict but as wargamers we never let the truth get in the way of a good game, so rest assured there will be plenty of chances to dogfight with the enemy.

RAF Canberra Bombers

The 1/600th models are all from Tumbling Dice. Buildings and other scenery come from local manufacturer Brigade Models. The rules are a home-brew variant of Spitting Fire by US publisher Majestic 12 Games.

Israeli Mosquitoes on a recce flight

The idea will be to run a number of consecutive short scenarios over the day, allowing players to drop in and out during the day.

Israeli Mysteres over a mosque near the Suez canal.